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	<title type="text">
	Comments on The Bleak Sentiment Found In Metrophage	</title>
	<subtitle type="text">High-Tech Low-Lives</subtitle>

	<updated>2020-07-02T20:46:56Z</updated>

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		<title>
		By: Craig		</title>
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		<author>
			<name>Craig</name>
			<uri>http://www.craigleagordon.com</uri>
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		<id>https://www.cyberpunks.com/?p=10850#comment-20943</id>
		<updated>2020-07-02T20:46:56Z</updated>
		<published>2020-07-02T20:46:56Z</published>

					<content type="html" xml:base="https://www.cyberpunks.com/the-bleak-sentiment-found-in-metrophage/#comment-20943"><![CDATA[<p>I was only 6 when Neuromancer was released, so it totally passed me by until I was about 20 or so. By that time I&#8217;d gorged myself on as much Cyberpunk anime and film as I could find. Everything from GitS to Robocop, Cyber City Odeo 808 to The Matrix. So by the time I got to Neuromancer it felt very familiar. But each of those works owe a huge debt to the Cyberpunk fiction that preceded them.</p>
<p>And you&#8217;re spot on Connor, it&#8217;s importance shouldn&#8217;t be forgotten, but unfortunately I do see a lot of comparisons against the tropes it helped define. And where newer Cyberpunk media moves past these tropes, it&#8217;s often judged as not being Cyberpunk.<br />
Cyberpunk is the oddest genre in that retrospect. I&#8217;ve never seen a community more at odds as to what does and doesn&#8217;t define its own body of work.</p>
<p>Nevertheless, it&#8217;s still the genre that I love more than any other. Hopefully fledgling Cyberpunks can continue to push it forward.</p>
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